Roman Rose

This is another piece to feature one of the traditional Palestinian motifs. This one is known as Roman Rose, and this particular design comes from Margarita Skinner’s book – Palestinian Embroidery Motifs, A treasury of stitches 1850 -1950. I have used many of the designs in this wonderful book, but this is the first time I have used Roman Rose.

The fabric is a 14 ct Aida in pale blue. It is a bit of a left over from a previous piece. The threads are all DMC pearl cotton No 8. I worked with two colours, lavender and rose, with two shades for each main colour. The idea was to have at least two colours for each rose, which I think works quite well.

The stitched area is just 23cmX5.5cm and I have finished it off as a wall hanging.

Blue on Blue

I have just finished stitching another Blackwork project. It features blue threads on a blue fabric, hence the title for the piece.

The fabric is a 14 count Aida in light blue. For the threads I decided to try out some Sulky threads. Lots of people on the Peppermint Purple SAL have been raving about these cotton threads, so I reckoned it was worth giving them a go. They are easy to stitch with and there is a good range of colours to choose from. The Sulky threads come in just a single strand, which is pretty close to a single thread of stranded cotton.

I choose quite an open pattern for this project and as is usual with me, I used the equivalent of one, two and three strands to add to the texture of the work. This pattern I found in a book by Rosemary Drysdade – The Art of Blackwork Embroidery.

The finished piece measure 5.5cmX23.5cm and too me just over 12 hours to stitch. It will end up as a hanging once I tidy it up and add a cord for hanging.

SAL – Weeks 3-5

I am now well into this year long SAL. Weeks 3-5 have all been stitched and outlined. With these patterns the SAL has move from the pinks to the blues.

The rectangular one on the right was stitched with one strand of light antique blue. It is quite an open design, but a bit fiddly to get right. The other two, square patterns were both stitched with two strands of light blue. All cotton threads from the DMC range.

These two were a bit more complicated to stitch, no doubt due to using two strands of the thread. The one on the left was particularly complex and I was never sure whether to stitch everything over just one mesh. I eventually decided to do most of it over one mesh with a few stitches over two meshes.

The square on the left looks quite a bit darker than the one on the right. Though of course both were stitched with the same colour. I guess the greater density of the pattern on the left gives this illusion of a darker shade.

I am currently cogitating on what border to stitch for this, if indeed to bother with a border at all. Most participants seem to include one. Alas, most of them look very complex, though very beautiful. If I do go for one, it is likely to be pretty simple.

Rose buds

My first completed project for 2021 is this composition using the traditional Palestinian motif of the Rose Bud.

On this occasion though I used only one motif, I compensated by using various colours. Four colours in fact and each one with two shades. The main colours are seagreen, turquoise and electric blue. These were all from the DMC stranded cotton range. The yellows are so old that they no longer have any identifIcation re. origin. The yellows were only used for some of the buds. They do stand out though. Perhaps there are too many in yellow?

The embroidery is all done with two strands of the thread. The fabric is a very bright Christmas red in 18ct Aida. I find Palestinian embroidery quite slow work and this project took me just over 30 hours of stitching time. Worth it though. The finished piece measures 15cm x 15cm. I now need to smooth it out and add a backing.

A SAL for 2021

I have never participated in an embroidery SAL before. But there is a first time for everything, and you’re never too old and all that jazz. Anyway I am now two weeks into this particular SAL. It is a creation of Peppermint Purple, an online shop for blackwork and cross stitch kits run by Clare Ardali.

I am working on the square option for the SAL. As this is a year long SAL, there will be 52 sections to complete and the project will last until the end of December. I have now, today, completed the first two sections, which you can see below.

The fabric is an 18 count Aida in white, and the threads are all DMC cotton. With the SAL package as well as the overall design and the weekly filler patterns, you get a suggested colour scheme and some advice on stitching. I have decided to go with most of the suggested colours, but have discarded the greens and lavender. So I will end up with a mix of pinks/roses and blues. The first two sections give an idea of this mix, with one section in very light plum and the other in light antique blue.

A couple of early comments on this project. I stitched the first section with two strands of the cotton, and only afterwards came across a note that the fillings should be stitched with just one strand. Why bother to read the instructions! Anyway the second section, the one in blue, was stitched with a single strand. At the moment I think I will continue to alternate between one and two strands. Usually when I do blackwork embroidery I use a mixture of one, two and three strands. Anyway I will see how it goes.

The other comment is about the outlines. I started by stitching a few of these, using two strands of black in backstitch. However when it came to embroidering the insides, I find this a bit constricting, especially as each pattern has some threads which reach all the way to the edges. I will stick with the sections already outlined, but thereafter I plan to stitch the fillings first and then go on to the outlines.

Blackwork in Purple and Chartreuse

Just finished stitching what will be my last project of the year. Another colourful Blackwork embroidery in purple and chartreuse green.

It is now in a Nurge No 3 hoop, approximately 16cm in diameter. The fabric is a 25 count lugana in white. The design is quite simple, a circle within a larger circle, with the larger one divided into two equal parts. For the embroidery I went for just two colours and three blackwork motifs. The purple is No 94 from the Anchor range of stranded cotton. The contrasting green is a bright chartreuse from the DMC range of stranded cotton. The stitching was done with a mixture of one, two and three strands of the cotton.

The two purple motifs feature octagons, though in very different forms. The centre motif features hexagons in a more open style. To try and get a neat edge I stitched the outline of the two circles. Firstly with two strands of black cotton, which I completed with a whip stitch using a two ply Appleton wool. This does make the circles stand out.

The stitching for this piece took me 15 hours over 10 days. Unfortunately I ran out of the purple thread and had to order some more online. Which caused a bit of delay in finishing the piece. Anyway I am quite pleased with it. Now to start thinking about what to do in 2021. Not long to go. Happy New Year everyone.

More Bargello

Another Bargello project now completed, or at least stitched. The pattern is from Four Way Bargello by Dorothy Kaestner. Clearly not a four way design, but a lovely diagonal pattern.

The fabric is my usual 18ct Aida in pale, almost faded green. For this piece I used three different wool threads. The pinks are from the Fine d’Aubusson range. This is a very fine wool thread from France. I used two strands. The greens are just one strand of Paternayan Persian wool. Finally the white is from the Anchor tapestry range. This is a four ply thread and I somehow managed to divide it into two. A bit of a hassle to be honest, but it worked well when stitching.

I did the stitching in a larger hoop and then transferred the work to a small one. The idea was to have no edge. Unfortunately it is proving very difficult or more honestly, impossible, to get the fabric really smooth and taut in its new hoop. Looks OK, but is a bit soft and giving when touched. I think that using wool threads on such a soft fabric may be the cause of this problem.

All in all this piece took me 28 and a half hours to stitch. Quite pleased with the result and the dazzling colour scheme. My next project is some Blackwork and trying out some small Christmas decorations

A 4 Way Stretched Bargello

Today I finally finished this little Bargello project. A comment on one of my previous posts asked if I had ever worked on a Four Way Bargello project. I have, but not for a long time. So this timely reminder got me to revisit this lovely version of Bargello.

The design I fixed on is not a basic Four Way pattern, but an interesting variation. I like to think of it as a Stretched Four Way. The two end parts are in the traditional Four Way pattern, while the central section is just basic Bargello. Here it is.

This composition comes from one of my favourite embroidery books – Four Way Bargello by Dorothy Kaestner. Thoroughly recommended if you are interested in trying some Four Way Bargello. The author calls this variation a bench, but I prefer to call it a stretched Four Way.

The fabric is an 18ct Aida in a very pale yellowy green. The main pattern is stitched with two strands of DMC Tapestry wool. Four shades of green and two shades of blue. The blues do stand out against the greens. To finish the piece off I decided to fill in the background to make a rectangle. For this I used a single strand of Appleton 2ply crewel wool in Early English green. I chose just the one strand as I didn’t want the background to dominate.

I really like this design, thought if I were to do it again I would seriously consider extending the central section by at least one other diamond. As it stands it measures 175mm x 137mm. A bit longer and it might fit as the base of a tray with a glass top.

The stitching of the main pattern took me just under seven hours, while the background involved just under 10 hours. Anyway time well spent. I have already started on my next project, which is a simple, ordinary Bargello. Happy stitching!

Red on White

For my latest blackwork project I decided to work with just two patterns. I managed to divide a circle into four curved sections, which meant that each pattern appeared in two of these sections.

The fabric is a Lugana 25 count from Zeigart, a mixture of cotton and modal. This is the first time I have used this range. The 25 count size is easier to work with than the usual 28 or 32 counts that I have previously used for blackwork. Age, I’m afraid.

The threads are all in shades of red. For the outlines I used one strand of Fine d’aubusson wool from France. The lines are stitched in whipped backstitch.

The main body is stitched with different silk threads. The bright red is a French silk from the Soie d’Alger range. This comes in seven strands and I used a mix of one, two and three strands. The other thread is Japanese silk from the Colorwash range. It has the lovely name of strawberry sherbet. This thread comes in 12 strands. For the embroidery I used two, four and six strands.

This was a fairly simple composition. The biggest and unfortunately recurring problem was my failure to count accurately. Old age again!

The finished piece is now tightly ensconced in a 16cm hoop from the Nurge range. The actual stitching took up just over 22 hours.

5 Easy Pieces – Series 3, No 2

Another of my Bargello pieces finished yesterday. All feature five sections, hence the titles. Usually I use five different patterns, but this time I limited it to three.

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For the central section I tried out an oval shape. A bit of a palaver to stitch this, but I think it works OK. This section is stitched in four shades of green. The other two colours, rose and lavender, make up a split complementary scheme to the green in the RGB colour scheme. At least that’s my story.

The three patterns are all quite different, which I hope makes for a harmonious whole. The fabric is a 14 count Aida. A soft fabric, but easy to stitch on.

The coloured threads are all from the DMC Tapestry range. A lovely wool yarn and good to work with. It worked well on the 14 count Aida, leaving virtually none of the fabric showing through.

I wanted a design that used some wavy lines. These I stitched in whipped stem stitch, using a 2ply Appleton wool in a very dark purple. Not sure if this really works. But overall I am quite pleased with this piece. Now to start thinking about No3! Happy stitching.