Bits and Pieces 2

Over the past few months I have successfully completed three more small embroidery pieces. The first was another Free-form Bargello project. It was started to use up some of my French wool threads from the Fine d’Aubusson collection. As luck would have it I ran out of one of the colours and had to order some more! Pretty inept at calculating how much threads I need for a project. Anyway here it is.IMG_7627The centre is two overlapping hearts which where stitched with Caron waterlilies cotton threads. The rest is wool. Not really one of my favourite pieces, but it did use up some old threads.

The next project was an experiment in using some traditional crewel outline stitches. The fabric is a dark blue linen and the design is a series of concentric circles.IMG_7704I kept to the blue theme with my choice of colours for the threads – three shades of blue and two shades of turquoise. Five different threads and five different stitches.  The inside circle is a split stitch using four strands of a Soie d’Alger silk thread. The next one is a Palestrina stitch in all six strands of Rajmahal ArtSilk thread. The third circle is stem stitch using two strands of Fine d’Aubusson wool. Six strands of DMC satin thread were used for the fifth circle which is a knotted pearl stitch. Finally the outer circle is in broad chain using one strand of a Caron Watercolour in Blueberry.

Enjoyed this little experiment and may well repeat something similar. As you can see most of the circles are very imperfectly circular. I used a compass with a lead tip to draw the circles directly onto the fabric.  But the lead did not show up very well on the blue, so I had to go over the lines with a red pen. Not the steadiest of hands, which explains the odd shapes that resulted.  All adds to the mystery of embroidery! That’s my story!

The final of my recent small projects is another piece for the Guild’s exhibition in St Andrews in the autumn. To decorate the stairs up to the exhibition room we have been asked to make a pennant. This was a follow-up to a Guild project for International Women’s Day. We asked people to embroider to pennant with the name of a woman who had inspired them. Many chose their mother, but others were more political, as is mine.IMG_7705 I chose to celebrate Clara Ponsatí, who is a professor at St Andrews University. She was also for a time last year the education minister in the Catalan government. She was involved in the preparations for the independence referendum held on 1st October last year. For their temerity in holding a peaceful and democratic referendum many Catalan politicians and non politicians have been arrested and put in prison. Clara was one of those facing arrest and decided to return to Scotland and her job at the university. She still faces the possibility of extradition as her case is now before a Scots court. Wearing a yellow ribbon has become a popular way of expressing support for and solidarity with those Catalans unjustly imprisoned or under threat of imprisonment.

The fabric is a light blue and was supplied by the branch. The lettering of Clara’s name is stitched in split stitch with two strands of DMC cotton in medium red. For the other lettering one strand of the same colour was used. lliure in catalan means free. The ribbon is stitched with padded satin stitch using a mercerised cotton thread from Portugal – Rosarios 4 Lisboa. Red and yellow are of course the colours of the Catalan flag.

 

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Bits and Pieces 1

Though I haven’t posted for over two months, I have been pretty busy.  Lots of small pieces and some unfinished pieces. Some of them are for the Guild’s exhibition in St Andrews which starts in October. I had in mind to include, for sale, a couple of embroidered candle holders. The first was started way back in April and I took it with me to Switzerland, hoping to make some progress. Little was made and I then discovered that I had gone and left the piece behind. Not too damaging as I can finish it off when I return in September. An 18ct aida fabric with DMC cotton threads in pinks.  Here is glimpse of the Bargello pattern.IMG_7455The other candle wrap I have managed to complete. Another Bargello pattern in blue and turquoise. Also on the same 18ct aida fabric with DMC cotton threads.IMG_7749This one is not quite finished! I glue the embroidery on to the glass jar, but in this case some air bubbles remained, visible at the top and bottom. So I decided to cover the top and bottom with ribbon. The lower part is done and I have still to attach the top ribbon. I want to include a bow on this part, hence the delay.

The other pieces relating to the exhibition are two biscornus. In a moment of weakness I agreed to run a workshop on biscornus during the exhibition run.  Which meant I had to do a dummy run with a couple, just to be sure they could be completed within the allotted time. Stitching the biscornus is fairly easy, the difficulty or time consuming part is sewing the two parts together. So I went for fairly simple designs. The first is a blackwork design. The second was originally a complex design for Breast cancer awareness.  I have reduced the design to just the ribbons. Mine are in yellow as a mark of solidarity with the Catalan political prisoners. This time I used 16ct aida fabric and DMC cotton threads.

 

 

From the Balkans

Finally finished my latest embroidery project. The composition features five designs from three countries in the Balkans. The central circle is from Albania and the two flower like shapes come from Macedonia. These three designs were all originally from towel trimmings.  The other two designs, with green stems, were originally used on women’s chemises, and come from Bosnia. Here it is in all its glory!IMG_7419All the designs used in this piece come from a book on Turkish Embroideries, published by DMC Library. The book must have originally been published before the 1st World War. Though the title is Turkish embroideries, all but two of the examples come from the Balkans and the designs are likely to be from the period when this part of Europe was part of the Ottoman Empire. It is a lovely book full of interesting patterns, some of which I have already used.

The impulse to create this particular composition was to work with some very old threads I had inherited from colleagues in the Embroiderer’s Guild in Dundee. Nearly all the threads are silk and mainly from the Brainerd and Armstrong company. This was based in Connecticut, but went out of business in 1928. So the threads are about 100 years old.

Most of the threads are in various tones of yellow and brown. So I felt this colour palette would go well with a red linen fabric I had in my stash. As I started working it became clear that some other colours would be needed to add a bit of contrast to the composition. Hence the bright vermillion which is from the Rajmahal silk and rayon range. The blue for the main stems and surrounding the flowers is from the Soie d’Alger collection. Finally the green for the trellis and the stems of the leaves is a perle cotton from DMC.

The stitches are all standard crewel stitches mainly long and short and satin, the latter sometimes padded. The blue is in simple chain stitch, while the green stems are in Quaker stitch. The inner circle of the central design was stitched as a woven wheel. This proved a tad awkward as my first go had an insufficient number of spokes, which meant the outer lines piled up on each other. It was not until my third attempt that I finally succeeded in something acceptable.

This type of embroidery is very slow work, at least for me. The older I get the slower I seem to work. This particular piece took just over 40 hours of stitching. All for a relatively small piece – 23cmx18cm. Enjoyable work though and I am quite pleased with the outcome. As ever not sure what to do with it. Any suggestions?

Designing my current embroidery piece

This will be a rather unusual post for me. I have only just started stitching, a couple of days ago in fact, so there is not much to show. So, instead I have decided to focus on how I ended up with this particular design.

I use the term design with some trepidation, as I don’t really design anything. At least not in the traditional sense. For a start I cannot draw. Neither do I have the kind of creative imagination that enables one to create something out of nothing.

A lot of my embroidery work does not involve any designing at all. Often I just follow a pattern from a book or from an online site. To the extent that a piece involves more than just copying my contribution is more akin to arranging or re-arranging patterns or designs of others.

My current project is an example of this. Though it has undergone a few ups and downs on the way. My starting point this time had nothing to do with a finished design or  even an arrangement. The whole thing began with a frame and the fabric.

The frame was found in a charity shop. I liked the size and the colour of the wooden frame. As you can see I haven’t yet taken out the print inside. IMG_7349

The fabric is a 28 count Brittney a dark pine green. I have only a small amount of this fabric left and it would fit nicely into the frame. As I usually only use this fabric for Blackwork embroidery, everything was coming along nicely. I had even decided on the thread to use, but before I could get started things began to fall apart.

Firstly I had no idea of what design, pattern to stitch. Secondly and probably more relevant, the more I thought about the frame and the fabric, they did not seem to match. The green of the fabric was just too dark and dense to go with the rust brown of the wooden frame.

So, back to the drawing board. I started by revisiting some photos I have of shapes, patterns that could possibly be used for embroidery. Some were most suited to a circular frame. This reminded me that I had an embroidery hoop, just waiting to be filled. So a circular design it would be, and the fabric was almost cut in size with the hoop in mind.

I still had to find/create something to stitch. After much cogitation and rummaging through books I finally decided to base my composition on an example of Mexican lacquerware. I have in my collection an illustrated book on this beautiful traditional art. One example has always attracted me – a tray in the Four Flowers style. The tray is circular and below you can see the intricate painting on the base.

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I liked the overall circular shape of this part of the design. I particularly liked the mixture of lines and flower patterns. The final inspiration came from one little section of the design on the sides of the bowl.

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I liked the dark curving lines in this section and decided to use this as the central feature for my own composition, which you can see in outline below.

IMG_7356As you can see I have used two curving lines with a flower shape at the ends of each line. This flower shape is also from an example of Mexican lacquerware. I have still to decide whether to enclose the piece in a circle.

My arrangement is of course a very simple affair. But I quite like simplicity. The four flowers will all be stitched in the same colour – a purple from au ver à soie’s Soie d’Alger collection. I intend to use only two blackwork patterns for the flowers. For the background I am using another silk thread. This time from Japan – a 12 ply silk in jade from the Glissen Gloss Colorwash range. The whole background will be in just one pattern. The photo above gives a glimpse of the background pattern and one of the flower patterns.

I have still to figure out how I will stitch the curving lines, and in what colour. There will be plenty of time for that, as this is pretty slow, but satisfying work.

A (slightly) unusual 4way bargello

This was to be my final small piece to get me over the holiday period. Alas it turned out to be not quite so small. With one thing and another I have only managed to finish the stitching today. It is another Four Way Bargello piece from Dorothy Kaestner’s wonderful book of the same name.  However as you will see it is slightly different. IMG_7341

Regular, common garden four way patterns are in the shape of a square.  While this one is very clearly a rectangle. Which means that the four way pattern only emerges at both ends. In compensation the centre is somewhat elongated. There are a few of these patterns in the book, which Dorothy Kaestner refers to as a bench as opposed to the usual square.

My original idea was to do a very, very much simplified version of the pattern. But once I got started and discovered that I had enough fabric to more or less complete the whole pattern in the book, I was hooked. I am quite pleased with the finished piece, both the elongated shape and the colours.

The fabric is my usual 18ct Aida in light green. Most of the threads are Anchor cotton, thought a couple are from the DMC range. What I find interesting is that the ecru colour really stands out, though the outline is stitched with a dark wine colour. The very dark sections are not black, but black brown. This slightly softer black fits in better, I think, with the rest of the colours.

Christmas and New Year is well and truly over. At the moment I have only a very hazy idea of what projects will emerge over the year. Wish me luck!

Snowflake

My second easy piece for the holidays is now complete and framed! Here it is before the framing.IMG_7310

The design is from Dorothy Kaestner’s book on Four Way Bargello.  It is her attempt to make a Snowflake suitable for embroidery. The original is very much larger and I had to reduce the size and make some minor adjustments so that the finished piece would fit into an IKEA frame I handily had lying around.

The fabric is my usual 18ct Aida in pale green.  I used three strands of DMC cotton for the stitching. The centre is ultra light plum. The other colours were two shades of turquoise and winter white for the snowy effect.  My final holiday project will be another bargello embroidery piece.  Happy New Year to everyone.

Yet another biscornu

Over the Christmas holiday period I will be concentrating on smaller, easy to finish pieces. The first is this biscornu.BCDC9B94-9BE2-4CDC-8D25-C335AB40032BThe design for the biscornu as ever comes from Louison and her wonderful blog au pays des biscornus. The fabric is an 18count Aida in pale green and I used two strands of cotton for the cross stitches. The reddish coloured thread is from the Anchor range. For the other side I went for a variegated thread from Les Fils du Rhin, called Quetsch d’Alsace. These variegated cotton threads are hand dyed and you can see the full range here.

My next mini project is another 4Way Bargello design. Below are photos to show the complete design of each side of the biscornu. Happy stitching.