Blue on Blue

I have just finished stitching another Blackwork project. It features blue threads on a blue fabric, hence the title for the piece.

The fabric is a 14 count Aida in light blue. For the threads I decided to try out some Sulky threads. Lots of people on the Peppermint Purple SAL have been raving about these cotton threads, so I reckoned it was worth giving them a go. They are easy to stitch with and there is a good range of colours to choose from. The Sulky threads come in just a single strand, which is pretty close to a single thread of stranded cotton.

I choose quite an open pattern for this project and as is usual with me, I used the equivalent of one, two and three strands to add to the texture of the work. This pattern I found in a book by Rosemary Drysdade – The Art of Blackwork Embroidery.

The finished piece measure 5.5cmX23.5cm and too me just over 12 hours to stitch. It will end up as a hanging once I tidy it up and add a cord for hanging.

SAL – Weeks 3-5

I am now well into this year long SAL. Weeks 3-5 have all been stitched and outlined. With these patterns the SAL has move from the pinks to the blues.

The rectangular one on the right was stitched with one strand of light antique blue. It is quite an open design, but a bit fiddly to get right. The other two, square patterns were both stitched with two strands of light blue. All cotton threads from the DMC range.

These two were a bit more complicated to stitch, no doubt due to using two strands of the thread. The one on the left was particularly complex and I was never sure whether to stitch everything over just one mesh. I eventually decided to do most of it over one mesh with a few stitches over two meshes.

The square on the left looks quite a bit darker than the one on the right. Though of course both were stitched with the same colour. I guess the greater density of the pattern on the left gives this illusion of a darker shade.

I am currently cogitating on what border to stitch for this, if indeed to bother with a border at all. Most participants seem to include one. Alas, most of them look very complex, though very beautiful. If I do go for one, it is likely to be pretty simple.

Rose buds

My first completed project for 2021 is this composition using the traditional Palestinian motif of the Rose Bud.

On this occasion though I used only one motif, I compensated by using various colours. Four colours in fact and each one with two shades. The main colours are seagreen, turquoise and electric blue. These were all from the DMC stranded cotton range. The yellows are so old that they no longer have any identifIcation re. origin. The yellows were only used for some of the buds. They do stand out though. Perhaps there are too many in yellow?

The embroidery is all done with two strands of the thread. The fabric is a very bright Christmas red in 18ct Aida. I find Palestinian embroidery quite slow work and this project took me just over 30 hours of stitching time. Worth it though. The finished piece measures 15cm x 15cm. I now need to smooth it out and add a backing.

A SAL for 2021

I have never participated in an embroidery SAL before. But there is a first time for everything, and you’re never too old and all that jazz. Anyway I am now two weeks into this particular SAL. It is a creation of Peppermint Purple, an online shop for blackwork and cross stitch kits run by Clare Ardali.

I am working on the square option for the SAL. As this is a year long SAL, there will be 52 sections to complete and the project will last until the end of December. I have now, today, completed the first two sections, which you can see below.

The fabric is an 18 count Aida in white, and the threads are all DMC cotton. With the SAL package as well as the overall design and the weekly filler patterns, you get a suggested colour scheme and some advice on stitching. I have decided to go with most of the suggested colours, but have discarded the greens and lavender. So I will end up with a mix of pinks/roses and blues. The first two sections give an idea of this mix, with one section in very light plum and the other in light antique blue.

A couple of early comments on this project. I stitched the first section with two strands of the cotton, and only afterwards came across a note that the fillings should be stitched with just one strand. Why bother to read the instructions! Anyway the second section, the one in blue, was stitched with a single strand. At the moment I think I will continue to alternate between one and two strands. Usually when I do blackwork embroidery I use a mixture of one, two and three strands. Anyway I will see how it goes.

The other comment is about the outlines. I started by stitching a few of these, using two strands of black in backstitch. However when it came to embroidering the insides, I find this a bit constricting, especially as each pattern has some threads which reach all the way to the edges. I will stick with the sections already outlined, but thereafter I plan to stitch the fillings first and then go on to the outlines.

Blackwork in Purple and Chartreuse

Just finished stitching what will be my last project of the year. Another colourful Blackwork embroidery in purple and chartreuse green.

It is now in a Nurge No 3 hoop, approximately 16cm in diameter. The fabric is a 25 count lugana in white. The design is quite simple, a circle within a larger circle, with the larger one divided into two equal parts. For the embroidery I went for just two colours and three blackwork motifs. The purple is No 94 from the Anchor range of stranded cotton. The contrasting green is a bright chartreuse from the DMC range of stranded cotton. The stitching was done with a mixture of one, two and three strands of the cotton.

The two purple motifs feature octagons, though in very different forms. The centre motif features hexagons in a more open style. To try and get a neat edge I stitched the outline of the two circles. Firstly with two strands of black cotton, which I completed with a whip stitch using a two ply Appleton wool. This does make the circles stand out.

The stitching for this piece took me 15 hours over 10 days. Unfortunately I ran out of the purple thread and had to order some more online. Which caused a bit of delay in finishing the piece. Anyway I am quite pleased with it. Now to start thinking about what to do in 2021. Not long to go. Happy New Year everyone.

Red on White

For my latest blackwork project I decided to work with just two patterns. I managed to divide a circle into four curved sections, which meant that each pattern appeared in two of these sections.

The fabric is a Lugana 25 count from Zeigart, a mixture of cotton and modal. This is the first time I have used this range. The 25 count size is easier to work with than the usual 28 or 32 counts that I have previously used for blackwork. Age, I’m afraid.

The threads are all in shades of red. For the outlines I used one strand of Fine d’aubusson wool from France. The lines are stitched in whipped backstitch.

The main body is stitched with different silk threads. The bright red is a French silk from the Soie d’Alger range. This comes in seven strands and I used a mix of one, two and three strands. The other thread is Japanese silk from the Colorwash range. It has the lovely name of strawberry sherbet. This thread comes in 12 strands. For the embroidery I used two, four and six strands.

This was a fairly simple composition. The biggest and unfortunately recurring problem was my failure to count accurately. Old age again!

The finished piece is now tightly ensconced in a 16cm hoop from the Nurge range. The actual stitching took up just over 22 hours.

5 Easy Pieces – Series 3, No 2

Another of my Bargello pieces finished yesterday. All feature five sections, hence the titles. Usually I use five different patterns, but this time I limited it to three.

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For the central section I tried out an oval shape. A bit of a palaver to stitch this, but I think it works OK. This section is stitched in four shades of green. The other two colours, rose and lavender, make up a split complementary scheme to the green in the RGB colour scheme. At least that’s my story.

The three patterns are all quite different, which I hope makes for a harmonious whole. The fabric is a 14 count Aida. A soft fabric, but easy to stitch on.

The coloured threads are all from the DMC Tapestry range. A lovely wool yarn and good to work with. It worked well on the 14 count Aida, leaving virtually none of the fabric showing through.

I wanted a design that used some wavy lines. These I stitched in whipped stem stitch, using a 2ply Appleton wool in a very dark purple. Not sure if this really works. But overall I am quite pleased with this piece. Now to start thinking about No3! Happy stitching.

Lotus Flower

For my latest embroidery project I ventured a bit into unknown territory. I have been contemplating stitching a lotus flower for some time now. Lots of ideas, but no progress at all. I then came across a lovely design for a lotus flower from Pauline Texidor, a French embroiderer. It is not a full kit, but you can download the design, with instructions. You still have to find your own fabric and threads etc. Here is my completed attempt.

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The fabric is I think a medium linen, something that was hidden in my stash. Easy to work with and a nice neutral colour to show off the colours. The instructions are very helpful and fairly easy to follow. They are detailed for some of the sections, thereafter you have to work it out based on what went before.

I pretty much followed the suggestions with the design, using the recommended colour scheme. Though of course you could work with any colour combination you wanted.

DMC stranded cotton was used throughout. Only one strand at a time. This I found quite challenging for the silk shading sections – most of it in other words. Four colours make up the design. The stem and leaves are in shades of acquamarine and seagreen. The veins of the leaves are stitched with a grey green shade.

The bud is stitched in shades of blue and lavender, with a touch of violet. The same colours were used for the petals with the addition of shades of plum, with a touch of cranberry.

The stems were appropriately stitched with stem stitch – five adjacent rows. Stem stitch was also used for the veins of the leaves.

The rest of the work was stitched in silk shading or long and short stitch. Most of the time I managed this reasonably well. But on a few too many occasions I found this very difficult to maintain the curves that are demanded for the design.

The other challenge was to get the right balance of shades from dark to light. This has worked mostly quite well with the leaves and some of the petals. Not so sure about all of the petals though. In particular I feel the two lower and large blue petals show a bit too much of the light blues. May have to go over these two again. At the moment I am just going to leave it as it is for a while.

I find this type of surface embroidery very slow work. Very challenging and very enjoyable. This particular piece has so far taken up 39 hours of stitching.

If you are interested in more of Pauline Texidor’s designs you can visit her instagram account here. I came across her work via le temps de broder, a Swiss embroidery site, full of fascinating articles and links. Both are well worth visiting.

Syrian Inhabited Scroll

My latest embroidery project features a motif I have longed wanted to stitch. This is the Syrian Inhabited Scroll. The name itself is somewhat exotic and otherworldly to me. This particular motif comes from the wonderful book, The Art of Palestinian Embroidery by Leila El Khalidi. She lists no less than eight versions of this motif. The one I chose was number seven. To complement this motif I added some lilies. Here is the finished piece.

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The fabric is a 16ct Aida in black. Not an easy colour to work with! For the colour scheme wanted a limited range and went for a yellow and a blue. With a little green for the lilies. The threads are all from the DMC pearl cotton No 8 range.

I originally thought of filling the hoop with just the Syrian Inhabited Scroll motif. But after completing two rows I decided against this idea, and went for the lilies. Stuck to the same colours though.

The finished piece is now in a 16cm Nurge hoop. Altogether the stitching took up 22 hours work. Overall I am quite pleased with the result.

I am though none the wiser as to what exactly this motif is meant to represent. According to El Khalidi, inhabited scrolls are of Hellenistic and christian origin. The scroll was filled/inhabited with some design, often of a floral nature. Bit of a mystery as to why it is a ‘Syrian’ scroll.

In the motif on this piece I guess the blue line is the scroll and the yellow sections are the “inhabited” part. But cannot figure out what it is meant to represent. A mystery.

Tulips – Blackwork

My latest project was a slightly different approach to Blackwork. Firstly I worked on a 14ct Aida fabric, quite a bit larger than the 28/30 count I usually use. Secondly I limited myself to just one motif – tulip as it is called in my RSN guidebook. Thirdly, instead of varying the thickness by using more or less strands of the same thread, this time I used four different threads. Here it is.

The two darkest and thickest threads were used at the two ends of the piece. I started with a thread I picked up at a market stall in Meiringen in Switzerland many years ago. It is I think a silk thread. Whatever, it is very soft and easy to stitch with.

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The other darkish thread is a 80%/20% wool/silk mix from the Amitola range by Louisa Harding. This is a lovely soft yarn made for knitting. I had bought this at a sale in a shop in Pittenween some years ago. Unfortunately, though lovely for knitting it is not so good for embroidery. The yarn keeps stretching  and fraying.  

The first of the two lighter threads is an Alpaca/silk mix from Elvincrafts in Skye. This is also primarily for knitting, but does work very well for embroidery. It is a variegated yarn, but I just worked with purple sections. The lightest and thinnest thread is one strand from the Anchor cotton range.

I am quite pleased with how this has turned out. In particular going from dark to light to dark again. The finished piece measures 292mmX85mm, and took me approximately 16 hours to complete. It will end up as a wall hanging. Happy stitching!