2020 – a year of stitching

I haven’t posted a review of a year for some time, but 2020 was a bit unusual, so perhaps worth recording for posterity!

Looking back over the last 12 years, since I started embroidering regularly, I discover that there is a remarkable consistency in the amount of projects I complete in a year. I tend to manage around 23 projects each year, with the occasional outlier. Last year was one of these, as I completed a grand total of 28 projects. This number is a bit deceiving, as no less than seven of these were very simple projects. Work that took 10 hours or less.

I also noticed that there were only four projects that took up more than 30 hours of stitching. Most of them were around the 35 hour mark, with just one biggy – 59 hours. This is quite consistent with recent years. Further back I would regularly do more projects that took up more stitching hours. Must be getting lazy, or just older!

As regards the projects themselves, all were in one or other of my four regular styles of embroidery – Bargello, Blackwork, Surface embroidery and traditional Palestinian embroidery. The largest number was in surface embroidery, though most of these were very simple pieces – Christmas ornaments or something to go on a Christmas card. Orkney standing stones was a more substantial piece, as was this flower, part of a decoration for a jewel box.

Bargello has always been a staple of my embroidery and last year I managed seven projects. Nothing particularly stand out, though I did make a start on series three of My Five Easy Pieces collection.

I also completed seven Blackwork projects, though one was to finish off a colour wheel which I started in 2019. The projects included a number of small squares which were designed to fit into little square mounts.

Traditional Palestinian embroidery is another staple of my embroidery. Last year I managed five pieces. They included a particular favourite, which features old keys, a recurrent symbol in Palestine, to highlight the Right of Return campaigns.

Coronavirus was a most unwelcome irruption in 2020, one which alas, is still with us. However lots of artists rose to the challenge of helping people survive with some hope for the future. Many offered their work for free. I took advantage of two of these free offerings. The first was a lovely drawing from Suzanne Scott who trades as WhimSicAL LusH. Though primarily for artists I used the drawing as inspiration for blackwork embroidery.

The second freebie, was this wonderful Palestinian design by Jordan Nassar. This was made available by the Mosaic Rooms in London as part of a project aimed at encouraging people to experiment with traditional Palestinian embroidery. 

Finally, and possibly for the one and only time, I went and bought an embroidery design! The Lotus Flower is a lovely design by French embroiderer Pauline Texidor. For the princely sum of €10.00 you can download the design with very helpful instructions. As your typical mean Fifer, this was an outrageous expense!

I have made a start on my first project for 2020 – another piece using traditional Palestinian motifs. This one is based on Rose buds.

Happy New Year wishes to one and all.

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